Well, this is more about clients, than drawing… but it ties in… sometimes you have to be willing - if you are illustrating fashion for a living - to bow to the needs, desires (whims!) of the client.
In this case, Diane von Furstenberg, with whom I worked directly, had a specific woman in mind. “Make her independent, powerful, sexy, with a big ass.” Many drawings later, she was satisfied. She insisted on keeping all the drawings I did which is unheard of, actually. Clients buy the rights to use a drawing, not the actual drawing. For the actual artwork that’s a separate price. But she told my agent she always keeps the originals (really? No one else does or they negotiate that up front) and was actually quite nasty. I was discouraged, as I had thought she was a brilliant designer and businesswoman and if you read her tweets, an especially warm and loving person. Shattered illusions. Lost drawings. There’s more, but I’ll save it for another time. Onward!
I love the little trick of making a limb (arm or leg) go back in space to give the figure some depth and definition of form. This also gives the illusion of that limb - leg or arm - being farther away from the eye. This will give your figures more of a 3 dimension - not so flat. Here’s an example - in the leg.
Also notice how the texture of the skirt is only in the shadow area, not all over the skirt shape. All you need to do is indicate - not plaster it all over… use the shadow area to define your print or texture on a garment, but you’ll have to know the form of the underlying body to get this right. More on that later…
Rocker Chick Pillow
http://www.jumadecor.com/pillows-c-5.html?osCsid=cmrdi32iuhijd7o81vthqllc82
This was done for Fairchild Publications, a book on being a fashion designer… they publish a lot of fashion books as well as W Magazine, and Women’s Wear Daily. This depicts a fashion designer/student gathering inspiration on a mood board, editing her inspiration into a theme for a collection, and then presenting her portfolio.










